{"id":10234,"date":"2014-10-01T14:06:48","date_gmt":"2014-10-01T14:06:48","guid":{"rendered":"https:\/\/artaurea.com\/?p=10234"},"modified":"2014-10-21T15:07:26","modified_gmt":"2014-10-21T15:07:26","slug":"schrill-bizarr-brachial-2","status":"publish","type":"post","link":"https:\/\/artaurea.kapwamarketing.com\/de\/2014\/schrill-bizarr-brachial-2\/","title":{"rendered":"Schrill Bizarr Brachial"},"content":{"rendered":"

An den\u00a080er Jahren<\/strong> scheiden sich die Geister: W\u00e4hrend die Erinnerung\u00a0an Schulterpolster, Vokuhila-Haarschnitte und Nena die Einen in wohliges Schw\u00e4rmen\u00a0versetzt, verursacht\u00a0sie Anderen\u00a0Kopfschmerzen. Und auch mit dem damaligen Design<\/strong> ist das so eine Sache. Warum sind die 80er geschmacklich gesehen ein Streitthema?<\/span><\/p>\n

\"Michel

M\u00f6bel perdu (Michel Feith), Leuchte Tyranno<\/em>, 1984. Kunststoff, Gl\u00fchlampe.<\/span><\/p><\/div>\n

\n

Es wird nicht zuletzt an der Ausgefallenheit vieler Entw\u00fcrfe dieser polarisierenden Dekade liegen. Nehmen wir diese Dinosaurier-Leuchte. W\u00fcrden Sie die sich ins Wohnzimmer stellen? Eben.<\/span><\/p>\n

Das\u00a0Br\u00f6han-Museum<\/span><\/a> in Berlin besch\u00e4ftigt sich\u00a0ab Mitte Oktober\u00a0mit einer Design-Bewegung der 80er: In der Ausstellung Schrill Bizarr Brachial <\/em>werden St\u00fccke des\u00a0Neuen Deutschen Designs<\/strong> gezeigt.\u00a0Die Bewegung stand \u00e4hnlich wie die Neue Deutsche Welle<\/em> oder der Neue Deutsche Film<\/em> f\u00fcr einen radikal neuen Ansatz: Design au\u00dferhalb des Systems der industriellen Produktion und gespeist aus allen m\u00f6glichen kulturellen und subkulturellen Quellen. Protagonisten waren\u00a0junge K\u00fcnstler und Designer aus Gro\u00dfst\u00e4dten in der Bundesrepublik und in Westberlin.\u00a0<\/span><\/p>\n<\/div>

<\/a><\/span><\/a><\/div>
<\/div>
div\" data-cycle-allow-wrap=true data-cycle-auto-height=-1 data-cycle-carousel-offset=15 data-cycle-carousel-paged=false data-cycle-carousel-filmstrip=true data-cycle-caption=\"#gallery_69e323d979d25 .count\" data-cycle-caption-template=\"{{slideNum}} | {{slideCount}}\">
Short Rest<\/em> und Consumer’s Rest<\/em>, 1988\/1983. Lackierter Stahl, Kunststoff.\">Short Rest<\/em> und Consumer’s Rest<\/em>, 1988\/1983. Lackierter Stahl, Kunststoff.\">\"StilettoShort Rest<\/em> und Consumer’s Rest<\/em>, 1988\/1983. Lackierter Stahl, Kunststoff.\">
Stiletto Studio,s, Short Rest<\/em> und Consumer’s Rest<\/em>, 1988\/1983. Lackierter Stahl, Kunststoff.<\/div><\/a><\/div>
A 59<\/em>, 1983. Plexiglas.\">A 59<\/em>, 1983. Plexiglas.\">\"VolkerA 59<\/em>, 1983. Plexiglas.\">
Volker Albus, Lichtstele A 59<\/em>, 1983. Plexiglas.<\/div><\/a><\/div>
Deutsches Wohnzimmer \u2013 Ensemble f\u00fcr die Documenta 8<\/em>, 1987.\">Deutsches Wohnzimmer \u2013 Ensemble f\u00fcr die Documenta 8<\/em>, 1987.\">\"AndreasDeutsches Wohnzimmer \u2013 Ensemble f\u00fcr die Documenta 8<\/em>, 1987.\">
Andreas Brandolini, Deutsches Wohnzimmer \u2013 Ensemble f\u00fcr die Documenta 8<\/em>, 1987.<\/div><\/a><\/div>
Lichterstrau\u00df<\/em>, 1985. Telefonkabel, Kabelbinder, Leuchtk\u00f6rper.\">Lichterstrau\u00df<\/em>, 1985. Telefonkabel, Kabelbinder, Leuchtk\u00f6rper.\">\"AxelLichterstrau\u00df<\/em>, 1985. Telefonkabel, Kabelbinder, Leuchtk\u00f6rper.\">
Axel Kufus\/Ulrike Holth\u00f6fer, Tischleuchte Lichterstrau\u00df<\/em>, 1985. Telefonkabel, Kabelbinder, Leuchtk\u00f6rper.<\/div><\/a><\/div><\/div><\/div><\/section>
\n

80 der wichtigsten Entw\u00fcrfe des Neuen Deutschen Designs<\/em> werden pr\u00e4sentiert, darunter M\u00f6bel und Objekte von Stiletto, Volker Albus, Andreas Brandolini, Axel Kufus und verschiedener Gruppen wie M\u00f6bel perdu<\/em> aus Hamburg oder\u00a0Bellefast<\/em> und Cocktail<\/em> aus Berlin. Wie der Titel der Schau\u00a0ahnen l\u00e4sst: Die Designobjekte bewegen sich oft zwischen Ironie und Kitsch. Bei Schulz-Pilaths Tisch Tarantula<\/em> krabbelt eine Spinne durchs Wohnzimmer, mit Stilettos Consumer\u00b4s Rest Lounge Chair<\/em> sitzt man in einem umgebauten\u00a0Einkaufswagen und mit der Stehleuchte A59<\/em> holt Volker Albus die Autobahn in die Wohnung.<\/span><\/p>\n

Ihren Ursprung hatte die Bewegung Neues Deutsches Design<\/em> im Wunsch, mit der Tradition der Guten Form<\/em> zu brechen, die auf eine\u00a0sachliche und effiziente Gestaltung der Dinge abzielte. Mit der freiheitsliebenden 68er-Bewegung und der \u00c4ra Willi Brandt\u00a0war diese Designhaltung in die Krise geraten. Nun sollten die Objekte Geschichten erz\u00e4hlen, die gesellschaftliche Situation reflektieren oder zum Nachdenken anregen. Frei nach Christian Borngr\u00e4bers Devise: „Der\u00a0Sehnerv\u00a0darf gereizt werden, das Sitzfleisch nicht“.<\/span><\/p>\n

Schrill Bizarr Brachial<\/em>\u00a0ist die erste\u00a0gro\u00df angelegte Ausstellung, die mit historischem Abstand zur\u00fcck auf ein\u00a0Ph\u00e4nomen blickt, das nur eine kurze Hochphase hatte: von 1982, als in Hamburg eine erste Ausstellung mit dem Titel M\u00f6bel perdu \u2013 Sch\u00f6neres Wohnen<\/em> stattfand, bis zur Wiedervereinigung. Das Neue Deutsche Design<\/em> ist auch ein Zeitdokument f\u00fcr\u00a0ein Deutschlandbild, wie es heute nicht mehr existiert, und eine der letzten gro\u00dfen kulturellen Leistungen der alten Bundesrepublik.<\/span><\/p>\n

Der Ausstellungskatalog ist im Wienand Verlag<\/a> erschienen.<\/p>\n

Text Agata Waleczek<\/span><\/p>\n

Photos Martin Adam<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

St\u00fchle aus Einkaufsw\u00e4gen und Dino-Leuchten: Das Berliner Br\u00f6han-Museum zeigt in einer 80er Jahre-Schau alle wichtigen Entw\u00fcrfe des Neuen Deutschen Designs. Lesen<\/span><\/a><\/p>\n","protected":false},"author":23,"featured_media":10239,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[152,613,151],"tags":[6634,1243,981,975,664,849,991,762,689,980,979,990,1241,1242],"class_list":["post-10234","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ausstellung-kalender","category-ausstellungen","category-calendar-de","tag-ausstellung","tag-ausstellungskatalog","tag-brohan-museum","tag-crafts-de","tag-design-de","tag-exhibition-en-de","tag-herbst","tag-kunst","tag-kunsthandwerk","tag-neues-deutsches-design","tag-schrill-bizarr-brachial","tag-stiletto","tag-update","tag-wienand-verlag","locations-deutschland","locations-berlin-de"],"acf":[],"yoast_head":"\nSchrill Bizarr Brachial | Art Aurea<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Schrill Bizarr Brachial | Art Aurea\" \/>\n<meta property=\"og:description\" content=\"St\u00fchle aus Einkaufsw\u00e4gen und Dino-Leuchten: Das Berliner Br\u00f6han-Museum zeigt in einer 80er Jahre-Schau alle wichtigen Entw\u00fcrfe des Neuen Deutschen Designs. 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